Q3. Please address where the visionary aspects of
fencing come into play. Does one focus sole attention on the blade
of the opponent? I know this sounds like an obvious question, however,
it seems I have a tendency to "look one in the eye" rather
than paying as much attention to the blade. Also, any tips on controlling
the body's immediate responsiveness to the opponents action. I would
like tips on being able to "slow down my body" and more
fully engage my mind. I would appreciate your help on these matters
and appreciate your site.
thank you.
A3. I have never tried looking into the eye of the
opponent. The mask tends to make that somewhat difficult. In any case,
it pays to experiment.
It is difficult to control one's immediate responses. This is a major
key in mastering the art of fencing. A good fencing master can help
you if you can find one. My suggestion is to develop a counter-technique.
Try various feints with a short, quick retreat. Beat the opponent's
blade and take a short, quick step backwards as you watch their reactions.
Then think about a counter-movement that will defeat the defensive
movement. In epee, I would try to lure the opponents blade out with
short feints, and when it reached the right position, a taking of
the blade in a bind worked quite well.
Another thing to try is to vary your defense movements for attacks,
such as a direct parry, counter-parry, change of line, invitation,
etc.
By keeping out of distance, you have some degree of defense against
an attack. Ganchev made me attack from a distance far greater than
I ever thought could reach the target. A very deep, fast lunge is
a great advantage, and the great Chinese women's Olympic champion
had the deepest lunge I have ever seen, almost flat to the ground.
Q2:
Why are my ripostes (counterattacks) not effective?
A2:
If the attacker is within distance to hit you, the first requirement
for the counterattack is a good parry (see above). If your
parries are successful, you have accomplished a milestone in learning
fencing, and this makes it easier to have effective ripostes. The
next most important step is to then riposte properly, which requires
work on timing (of blade, arm and body) and distance
(between fencers). If the angle of the parry is too large, then
the riposte will become slower. That is because the thrust follows
immediately after the parry, and the arm must be straightened, which
takes time. The more the bend in the arm for the parry, the
slower the riposte. The arm must be loose, and the wrist action
emphasized. There are exceptions to this, as you will perhaps observe
some foil fencers who can use a few large movements effectively.
However, they will probably never become really good fencers, and
the beauty of fencing is lost in the process.
My suggestion
is to experiment with lowering the angle of the parry, such
that the riposte becomes faster, while maintaining an effective
parry. A lesser angle of the blade makes for a shorter and quicker
thrust in the riposte. A loose fist, wrist and elbow are essential.
This may seem counterintuitive, but it allows greater control and
variability. Control of distance is also essential. If you have
a good fencing master, he will probably be teaching you how to perform
a combination parry-riposte movement, with timing, distance
and body movements taught together. This type of teaching has the
advantage of not having to go through the difficult process of having
to unlearn slow movements before moving on to other techniques.
Therefore, having an excellent fencing master at the beginning of
your fencing career is the most desirable situation. Unfortunately,
not all fencers will have this opportunity available to them, and
these suggestions can be quite helpful. See Fencing
Techniques for more help.
Q1:
What is the fundamental technique for defense against a simple
attack?
A1:
Keeping out of distance before you begin your attack is the
first basic requirement. In order to avoid the attacker's blade when
the distance is closed, the blades must cross at an angle in
the parry such that blade is deflected and does not reach the target.
There are eight different positions of the blade for a parry of the
attack. The two most common simple direct parries in foil are the
fourth (carte in French) and sixth (sixte), in which
the blade is moved to the left or right while the point of the blade
is raised slightly. The object is to move the point off target by
meeting the blade at the best possible angle for maximum speed and
fastest time.
There are pictures
of the proper hand positions on the Fencing
Techniques page, along with some faulty techniques to avoid.
The defense against a straight cut to the head in saber is
the fifth parry (quinte). The opponent's blade is directed
vertically to the top of the head, and the defensive position is to
meet the blade at right angles (or somewhat less) above and
forward of the head. Your direct counterattack (riposte) is
then a cut to your opponents flank, since this then becomes the open
target on your opponent below his blade. Your opponent can then parry-riposte
(deflect the blade and counterattack), etc. These parry-riposte movements
are good beginning practice. Most parries do not require such large
angles, as in foil and smaller yet in epee. In fact, the smallest
movement that is sufficient to deflect the attack, such that the blade
does not reach the target, is most desirable since it becomes much
faster. Beginning fencers who are having difficulty in defending
against the primary attack can closely watch the angle at the
meeting of the blades. If the opponent's blade is still reaching the
target, the angle between the blades when they meet may be too small.
The opponent's blade should first contact your blade about a third
the way to the end of the blade in most cases. As you become more
adept at learning the parry, it becomes easier to experiment with
decreasing the angle of the parry for the fastest timing and greatest
protection. This is not easy, since movements may be extremely fast.
Once a successful defense is attained, it makes the counterattack
much more effective (see next question for further details).
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